still on the no heat trials I decided I’d do one with no silicon too.
I did a swipe and usually I get better cells than this, I don’t know if its because there’s no silicon or that maybe my paints were a bit too thin. I don’t think it was the paint, usually if its too thin I get a lot of runoff and I didn’t with this. I have had good results before without silicon but then i used torch, so I think its just the combo of both on this occasion. I could probably do the same again and get totally different end result – that’s the beauty of fluid art for me, so difficult to predict.
One thing I notice from the final dry painting is that the metallic red has taken over and i can see other colours, lines and shapes below it but they just can’t seem to break through it, next time I’ll either leave it out of use just a small amount.
I’m not really happy with the painting as it is but I think it’ll make a nice background for a silhouette of something, bare trees maybe?
Challenge from one of the facebook groups, a swipe using no white, just black and three blues.
First one was fine but as usual i had paint leftover so I used it for another painting but…didn’t really have enough paint, didn’t like the results after swiping a couple of times so did a quick mix of folkart extreme glitter paint – I love that stuff. then swiped from centre and left it to dry.
The dry but unvarnished works look like this, I might resin the one with the glitter paint, you can’t really see but it looks fabulous ( for bling addicts like me anyway!)
I’ve had another play with resin too, getting better….I used the artresin this time, a 1:1 mix. Easier to get right than the 1:50 cheaper stuff…
The cold season has struck…but in between sneezes I’ve done a couple of pics. First one here I actually did last week, and as its dried its cracked. I don’t actually mind those, they add a bit extra, but I’m still unsure of whether I like the whole painting. Its a bit Too busy, I used lots of colours, and I think maybe something more pale in parts would give more definition. The colours are just too similar IMO. Its 20 x 20 inches, so for now its sitting in shed while i decide whether to keep or repour.
Close up of cracks.
I’ve been redecorating my dining room, very pale apricot/peachy shade, mid orange curtains, and the old red/orangey pamment tiles – its a house that’s nearly 250 years old and I love these. I thought I’d try a pour painting to go in there in browns, but the first one was a mess, again I used colours that were too similar. I’d done a dirty pour, then swiped (twice) and still didn’t like it, so I mixed some dark violet, poured down the middle and swiped. Its better but whether it will stay….who knows. I put some bits of paper and a canvas to catch the pour-off and got a second painting.
I’d been pretty fed up of all the fails – downside to experiments is that lots of them Just Don’t Work – and while I expect that, its still frustrating. So I’ve had a few days of back to basics, just paint, floetrol, water and silicon. Done a few dirty pours then Monday I wanted to do a negative one with metallic paints and try to mimic peacock tail colours….sadly the green dominated, I used gold, blue, green, yellow and purple, but though I only had minimal green I think the blue and yellow combined too much and I ended with a green painting. I like it – but its not really what I wanted.
I used a bamboo skewer to pull out some of the edges, and to try to shape some circles in the green and dipped in to add a little more colour. the photo is while its still wet – they’re taking ages to dry lately, outside in my shed.
I had a bit of dark blue and purple left, so I decided to try something on the resin coated paper. I tipped it over a piece of card, dropped in a bit of non diluted gold and cerulean blue, spread round with palette knife and pressed another piece of card over the top, pressing down really firmly. then peeled back card. It reminds me of encaustic painting when I use an iron, where as I lift the iron the wax collects in shapes. I carried on with a couple more bits of card, then decided to try it on two bits of board. I scraped out all the purple and gold I had, squeezed on more of both straight from tube, plus cerulean blue and repeated above process. I did it a few times before I was happy. Not sure what I’ll do with these but it was fun 😉 I couldn’t resits a bit of glitter over them too….
Still on the metallic theme i tried a swipe yesterday, its on canvas 20 in by 8 in. I poured lines of colour, dark purple divided into two and metallic medium added to one, same with the cerulean blue, a dark blue, magenta, pale pink, and gold, with some oyster pearl added to the pink and magenta. then white at both ends. And…. swipe – I loved the way it was straight away but the pic is about an hour later and somehow the cells lose some of their definition. I think maybe I have too much paint – I’ll try with less and see if that helps.
I’m hoping the metallic shows up more once its dry, and noticed as it was drying that some of the darker colours and the gold were slowly popping through. I like this one even though it wasn’t as crisp as I’d like.
Today the plan is to clean silicon of some dry ones ready for varnishing. and tidy my work space and add fresh paper….no painting, but somehow I think one might just sneak in 😉
I’ve put a recent card one in a frame and its hanging in my kitchen.
I’m really happy with the fluid paints, the gold and magenta, and the phtlalo blue, incredibly rich colours and i didn’t need to use much paint which of course makes them a lot more economical.
I knew I loved the golden range, have used heavy body ones in the past but thought the way I use paint that these little fluid bottles would be too expensive. they are costly, but given i only needed a little to get the intensity of colour I wanted they’re not as costly as expected. I could probably have used less than I did too.
I find often when acrylics dry not only do they lose that lovely glossy sheen but the colours change, occasionally seem darker but more often lighter, but these were very close to the original colour. ( The gloss can be put back via a varnish when dry BTW) I did add a little of the tube of medium to the black on a black negative painting and it dried with a lovely soft sheen which looks good.
Its not all a tube black but some of that mixed with some very dark blue/red/purple run off from another painting. i got quantities wrong and hate waste so decided I’d mix that with some ready made black, a squeeze of the Golden gel medium and use for black negative space. One worked, one wasn’t so good but the black on both came out well. I haven’t varnished it yet, it will be interesting to see if just one coat brings up the shine, usually i do at least two, probably three before I’m happy. I have done five on one work…Polycrylic minwax is my preferred varnish.
I’ve finally finished a 20 x 20 inch commission, and I’m really pleased. this has the minwax varnish, four coats and is lovely and glossy.
I’ve gone for a swipe painting using three samples of paint kindly provided by Golden, and some of my other paints.
The golden ones were Fluid paints Iridescent Gold and quinacridone Magenta, and Open slow drying Phthalo blue ( green shade). I’ve also got samples or red and yellow plus a heavy gel medium, but I’m not using them in this video.
I’ve used my standard floetrol,paint, water and dimethicone mix.
I’ve done a simple swipe, and I loved the first effect but I had so much paint it moved…a lot, and i didn’t like it. So after about an hour I swiped again hoping to get some cell definition.
I like it but I have lost that lovely rich intensity from the first swipe.
I love these colours, as it happens those rich intense blue and magenta are some of my favourite colours, and of course Gold…well looking at my glitter, iridescent and metallic paint collection its obvious i love me some sparkle! Its not just paints, creeps into the house decor, my clothes, shoes and garden too….
I’ve used these gold, blue and red in other paintings, as can be seen on the video. I will certainly look to buy more as i need to replace some colours, they are expensive but a little goes a very long way as the colours are so dense and rich. I especially love the way both the red and the blue “bled” into white on a couple of other works I’d done.
I’ll be using the red and yellow in a video soon, next week probably, I’ve a craft fair on this Saturday so busy preparing for that. Fingers crossed for some sales, more space in studio and more money for paint!! Maybe a few more golden fluids 😉
Well, I emailed Golden with blog links, saying I liked to experiment and was there any chance of samples and the answer was …Yes 🙂 and these arrived two days later!
As it happens they’re colours I love and use a lot, pthlalo blue, a rich clear yellow and magenta, I love those, and if i could only have 3 colours of paint they’d be my choice. I love to use gold too ( I’m sure no-one has noticed that!!) but the pyrrole red is a new to me colour. Looks to me like a slightly orange toned scarlet.
For those interested in density the gold has on the side the colours its made from so that could be worked out. Useful info.
I’ve used Golden texture mediums in the past, but not this one, might be fun to add into just one colour and see if it creates a pour with texture – or that might be a huge fail…who knows, that’s the fun for me. Seeing what happens when I ….
The leaflet isn’t clear in my photo but I’m sure their website has a copy, there’s loads of info there.
I’m going to try Liquitex too, but that has to be snail mail, can’t find an email on their site. Those two are my favourite for acrylic paints, used lots of both in my pre pouring days but tend to stick to the cheaper paints for pouring given I use so much. In the four/five months I’ve been doing this I’ve used around 8 litres floetrol, 1 l LPM, a few other mediums and varnishes I’ve tried ( and given up on some – PVA!) and bought perhaps 20 500ml of colours in additions to the substantial lot I had left from my previous painting days. I used to fund my painting from sales, never sold a huge amount but enough to buy more paints and canvas but I’m working at a deficit here. Still, its my main hobby, the reading is supported by ARC reviews and I don’t drink or smoke so for the pleasure I get I reckon its worth it. Of course sample paints like this mean Free Fun so I was so happy to get them.
Interestingly having bought a few “liquid/high flow” paints in small pots recently I find I actually use far less than when i’m using the big heavy body pots, the colours are very dense so maybe it doesn’t work out as expensive as I thought using high flow paints. Perhaps that should be a future experiment, weight of paint to get the same intensity of colour, though I’d need to factor in more floetrol or LPM to get same volume perhaps?
I can’t seem to give up on house paint yet despite my repeated vow not to try any more. I look at the other wonderful pics put up using it and have to have “just one more try” – well, I used floetrol and water in the next two aiming for negative space. I used an icing bag but as usual too much colour so that didn’t work, and the second one was a mess so got swiped and swiped, and last of the pink spread over middle and swipe again. I figure if i don’t like it anyway what’s to lose? I still don’t like it so that’s another repour!
The white looks ok when i use it, flows really well and initially looks good but as it dries it seems to go sort of grainy where it interacts with colour and leaves the colour looking wrong.
I’ll see if I can get better photos some time, its almost dry now, then show you what I mean.
I did a quick spider web swirl yesterday for Nathan, he really liked my one with leftover paint from the other day. He picked a rectangular board though and as I tried to swirl to cover more we lost the shape. Note to self: cover sides with white or colour next time to crate round/square centre. I did pull the paint through but we lost those lines too…Learning curve – there’s no such thing as a mistake, as getting it wrong, its all learning experience.