Latest plays, some bright cells,

I’ve had a few disasters, downside of trying new things, some work, some don’t, so decided to stick with my tried and trusted mix, but see if I can get cells with more than one colour deliberately, I’ve had it happen accidentally, but wondered if I could influence the process.
Did a small one first, this is 4 x 4 inches 
Then I moved to a larger canvas, 6 x 18 ins I think. I’m pleased with this one but the second didn’t come right, and I swiped too many times, making the colours join and just become too orange, no contrast . One for painting over later 😉 There’s a video of this one at the end of this post. Sorry, you get a bit of me upside down at the end, didn’t switch tablet off properly….oops!  too much swiping blended the colours and lost any contrast. Here;s the fails, I tried swiping with pink, didn’t like the result but that could just be my colour choices. I swiped with matallic blue on one last week and liked that.

I’m still thinking over this one, whether to keep or repaint. Its not what I was after but I quite like the subtle effects and soft colours. Its another 6 x 18 in canvas

Video for the bright 6 x 18 painting.

Experimenting with dimethicon instead of treadmill silicon

So yesterday found me trying this out – and the results were great. If I can replicate them so I know it wasn’t one of those flukes, you know – when things go perfect despite what you do – then i’ll be sticking with this.

I’ve been using all sorts of silicon, some successfully some not. I found the spray went everywhere but it the pots, the cosmetic silicon left “holes” and thin spots in canvas sometimes, and the treadmill works OK, but still limited cells. So took the plunge and bought silicone number 4, some dimethicon.
I used the dulux paint for white, added silicone to colours, some blues, pinks and purples, a couple of which are metallic. They’re still pretty wet today, and the sunflower from friday is drying nicely but still not there. Not sure if its weather ot the dulux paint but we’ve (fingers crossed it stays) some sun today so that should help.
I’m trying to get best place for video to minimise glare and give a good shot of me working, showing the actual painting but still haven’t got there. sorry, Its a tight space though and little room for manouevre, but I will keep working at it and thanks for your patience so far.
I tried another flower one like the sunflower but a hydrangea this time. It was going well…til it wasn’t. I overworked it, fiddled too much, used too much colour and it was a mess. Left it as it was raining my my scooter getting wet. came back couple of hours later and i just didn’t like it so i mixed up quickly some more colors, red, yellow and ornage and used the little that was left in pots plus these, poured over at random and swiped the whole thing with acetate and love the result. its got a little gold sparkle dropped on too. today I want to see if I can get gold lacing….well, it might work abd ts fun trying.

this is the messy hydrangea. I just did Not Like it – knew I’d never be happy with it as it was so more paint and a good swipe turned it into the next one.

a few more experiments, and reusing old canvas

Been busy last few days but still squeezed in a few experiments. I didn’t like the last two I showed here so over-painted them, and still don’t like one of them, so that’s in the pile to repaint!

This one looked great on pouring, but I didn’t make enough paint….so on tilting it ended like this ;-( Sometimes I gesso over old works, or paint a coat of one colour but my original thinking here was that I could maybe just cover the bit I didn’t like and keep the edges that I did. soon as I poured though I could see that wouldn’t work.


I tried playing with white negative space – I’d aimed at that before unsuccessfully so time to retry. I only used white plus 3 reds, and a red mica paint. But didn’t like it so it became the second one shown here

I’d actually used the same colours as on this long one but the centre of the red one was still a little wet, though I hadn’t realised so some of the painting has a pink tinge to the white. I don’t mind, quite like it.

I really like this one and may…or not, brave the resin for it! Next play was negative space again, and three blues, plus a mica mix. More successful but I still want more white,. more subtlety. I tilted too much once more…

I used leftover and run-off onto some paper but TBH I’m not happy, its just a murky blue mess to me..

I love the pour on this next one but again lost it on tilting 😦 

I thought maybe it was my tilting, so made LOADS of paint and let it find its own way to edge, but I still ended losing that first lovely part, and had a tray full of mixed leftover paint. Maybe its s thickness thing? Its not because painting isn’t level. having lost a few now to that i work really hard at that before paint touches canvas, and check how it drips after before leaving it.
Then I saw a vid where anne-marie ridderhof ( I love her and danny clark vids) used 1 part paint to 4 parts floetrol, no water, no alchohol. as my paints are heavy body and she used fluids I thinned mine down first with water – big mistake! Looked ok on pour, though very pale, but floetrol is cloudy then dries transparent so hoped that was it. Nope, I just got a watery thin mess. Horrible isn’t it.?? Its over an old one, blue based and you can see the blue through the white edges. Next time I’ll try with paints as they are! The yellow is lumpy too – I mix and mix but that yellow, and the white seem to contain or go lumpy, and i miss it. I got my little battery milk frother out yesterday for mixing. well, I never use it for milk! more and more “house” stuff ends in art shed, I’m sure we all do it!

I’m still thinking of resin and whether to use it. I did it on two 8 x 10 inch ones, and love it but there are ripples in the surface. This was the slightly cheaper marine resin, rather than pebeo. Its a 1:50 ratio so as it took days to cure, with surface staying slightly tacky, you know, where you can see fingerprints even though it seems dry, so maybe i didn’t quite get that right. Its harder with that small amount of hardener to be precise, whereas the pebeo was either 1:1 or 1:2 – can’t remember but easier and i like the finish better. Did the pebeo on 3 3×3 canvasses to trial. On those I’ve a couple of little dints even after two coats so I’d seen a varnish that it supposed to help with ripples and dents on resin finishes, so bought that and tried yesterday. It evened the ripples a little but I think the sine is a bit less, and on the small one it helped with the dint/dent but again reduced the glossy shine. I don’t know if maybe once its thoroughly dry it would come back if it was polished with a little wax or something? I also want to try it over a conventional varnish, see how that looks…
The one on the left is the one with the aerosol extra coating. It looks a bit smoother but the colours don’t seem as bright and the gloss is less.

I’m hoping to create a links page with all the materials I’ve used soon. Just need to find time to work out how to do it 😉 Then if anyone wants to use what I’ve tried you’ll know where to find it. I know I’ve found lots of my experiments from other people’s pages and links are always helpful, but I’m not greatly tech minded so it takes time for me to work out how to do the wordpress page stuff, without it just being a jumbled mess.

 

 

revamping an unloved painting, and playing with densities.

So the one I didn’t like on Sunday got a revamp yesterday…I’m still not totally sure about it but had fun. I was aiming for a kind of floral look, like tall foxgloves. Again just dropping paint and letting it blend, and pulling through to create some shapes and help that. 

Then I played with paint densities, looking up closest to what I had and just letting paint tip and flow very little, no silicon, and torching after.

 

I’d run some white over sides and corners before pouring and was really pleased but…though I spend ages ensuring surface was level I must have knocked it as the paint ran off one side. I came back 3 hours later and saw it, managed to move a bit back where it was still wet in centre but 😦 this is how it ended. still nice but not as I wanted.

I did this one with same colours but much more tipping to cover the canvas.

You can see the colours mix much more, lose their richness though I do like the ones they create by mixing. also the cells seem more this way but much smaller. I’m going to try this again. I used different colours as I was using an old canvas, so covered it in black first and used black on corners and sides instead of white.

Looking at it now I wish I’d let paint run more on one side, or placed it less central. It irritates that its kind of centred but not very well and I’d rather it looked like a deliberately off centre pic! Did this with same colours. I’d painted white on sides and corners but it didn’t look right somehow so ended up tipping a lot more to cover the white.

I still had quite a bit of black and white so played with some 3 x 3 in canvasses. white over black, black over white and then just pouring over all that I’d collected from runoff. The first one – the one on its own, I really liked – can’t recall white was over which now but I’d used an old canvas that had maybe three other lots paint under and I ought to have gessoed it as the surface is bumpy and not smooth and these paintings mostly look best on smooth surface.

I tried resin on the circular cake-boards, wasn’t a sucess, too many uneven and bare patches, might have been the silicon. I used varnish on the other two and that looks better. I’ve painted another plain and glued to back to make it sturdier but not sure how to fix something to hang it with. Shame about the resin and it would have made these much stiffer and worked well IMO. Still…maybe I’ll try another and not use silicon. all fun experimenting but the resin is so costly I can’t really play too much with that. Chris and I love the two pink sweetie coloured ones that have been resined. Its not easy to show but the surface looks and feels like glass and it really show where the gold sparkles are and gives a feeling of depth.

Time to add some to art sites now and hope for some sales so I can play more 😉 If anyone is interested in any of these email me, the 8×10 inch ones are £32, 3x3in £10 and others similar price depending on size. The most expensive is the 20 x 20in orange one at £120. I’m happy to take commissions too, you choose colours and I’ll create two for you to choose from.