No heat and no silicon either this time…

still on the no heat trials I decided I’d do one with no silicon too.
I did a swipe and usually I get better cells than this, I don’t know if its because there’s no silicon or that maybe my paints were a bit too thin. I don’t think it was the paint, usually if its too thin I get a lot of runoff and I didn’t with this. I have had good results before without silicon but then i used torch, so I think its just the combo of both on this occasion. I could probably do the same again and get totally different end result – that’s the beauty of fluid art for me, so difficult to predict.
One thing I notice from the final dry painting is that the metallic red has taken over and i can see other colours, lines and shapes below it but they just can’t seem to break through it, next time I’ll either leave it out of use just a small amount.
I’m not really happy with the painting as it is but I think it’ll make a nice background for a silhouette of something, bare trees maybe?

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Painting without using blowtorch or heat gun

There have been discussions recently on facebook groups about possible breathing issues/poisonous fumes when using torch or heat gun. I don’t always torch, sometimes I want a “less busy” painting, to just enjoy clean lines of colour, but notice the cells still appear. I thought I’d do a video showing how you can get cells using floetrol even if you don’t torch. I used spray silicon, but have done works without silicon and still ended up with a few cells.
I’m using some new fluorescent paints, and as they are transparent I’ve picked a couple of opaque blues. Original plan was to use black, but I didn’t have enough premixed so I used white, then realised I didn’t have enough of that so used black too. From end result I used too much black/white not enough colour. I also didn’t mix enough paint and tilting to cover canvas lost me some of the cells.
I looked a couple of hours later hoping the fluorescent paints would have burst through but not as much as i hoped so i pulled through some paint on a lolly stick, the remnants in the cups, to add some vibrancy.

As a painting its a bit meh….the canvas was an old one and even though I checked level as normal it was a bit loose and paints pooled in centre losing some of the lovely shapes. It’ll probably be one for adding extras to once dry. As an experiment though to see how you can still get interesting effect and cells without torching it works.

A still taken from video, just out of cup. My paint looks a bit thick, they were new to me paints, and next time I’ll make them thinner. You can see how there are some great shapes and cells, but I didn’t mix enough paint, plus being a bit thick, and when i tilted, even though i was careful I lost lots of the cells.

About 2-3 hours after painting, I wasn’t happy so used leftovers in paint cups and dragged lines through with a mixing stick. This is the result next morning almost dry. If I hadn’t been doing an experiment I’d probably have mixed a bright colour and swiped it, paint was still wet so could be altered.

Using poured acrylics as a background to a new painting.

Its so cold in my studio/shed that I’m not painting much, as left out there they crack before drying 😦 and there isn’t space indoors to have too many on the go. Plus the house is on the market so it needs to be kept ready for viewing at short notice….I still want to paint though, so what I’ve been doing is using some of my paintings that I’m not totally happy with as backgrounds, using paint markets and paints to draw and paint something over the top, leaving the original as background. I did the bubbles one first, wrote about that a few weeks back, but as ever I find it hard knowing when to stop and its been further embellished.

it doesn’t show well on pc, but there’s lots of metallic paint that shimmers on the bubbles.

Finally finished tinkering with the dragon pic, this one is 20 x 20 inches. The original was just too “busy” for me.

A request for a unicorn led to this next one. I thought the original a bit too bland, I wanted a dragon on it but the kids insisted it needed a unicorn….they won!

Another unicorn one, but a tiny lad this time…

This one has been tinkered with over and over til i’m finally happy with the flowers. Was a dark green/brown painting originally, too dark.

Fishes in this undersea one, I think I’ve tinkered more since I took photo a couple of days back….even when they’re varnished they’re not immune to the paintbrush landing on them! 

Humming birds on this one, its not finished, the flowers and birds are just done with markers, I’ll paint over for more intense colour.

There’s a couple more planned, one with a mermaid and one with a dragon, hopefully I’ll do them this week. I’ve also got one straight pour finished that I like! It is over two I didn’t like though 😉

Doesn’t show too well on pc, but the greens are metallic and have a lovely shimmer effect.

Painting over a failed canvas

I’d got a 16 x 20 deep edge canvas that I didn’t like, and was trying for some valentine paintings. sadly it was another fail so here I’m painting over it.
The first painting had texture medium added in parts, little beads, and the second one had glitter, but I’m just painting straight over it all. I haven’t gessoed as I’m using black, and that’s pretty good at covering. (well, it covers me very well….) If I’d used a lighter colour I probably would have given it a coat r two of gesso or under-paint.
I’m using a plastic insert from some xmas biscuits – like many artists everything gets looked at for possible use before being disposed of and I was hoping the paint would pour in ribbons from this – it did, I’m really pleased with it. I’ve two more, and they could probably take 2-3 goes each before they disintegrate, its quite flimsy plastic.
I picked colours at random, was in the mood for copper and blues. The leftovers got poured into more of the little bottles you can see me using towards the end ( after I did a further 6×6 in canvas) They are so useful, not expensive, found them on amazon and you can squeeze paint under layers with them or get some fine lines. I have 12, need another 12 though, its a great way of having ready mixed bits of paint to hand and saves waste.

Paintings overnight, semi dry.

The 6x6in done with leftovers, and some leftover paint from last week ( the pale pinkish colour)

Testing pva for waterfastness as a Resin type finish.

I’ve been looking for a resin type finish, tried Liquitex Pouring Medium, which looks good – not as good as resin but close. Its easier to use but works out expensive so I’ve tried PVA this time.

the LPM was fine with water and has dried with no marks.

the PVA, a fail, surface is tacky and absorbed water even when cold water used. that’s not camera/light glare, it’s where the pva has absorbed water and gone cloudy…

It looks fine at first glance, if I’d been a bit more careful in application it would be better, but what I really wanted to test was how it reacts with water once dry.
Resin and the Liquitex PM were both fine, even with boiling water, but this…well. Fail.
Even with cold water it softened and marked and as for boiling water, it went tacky and lifted really quickly.
I’m convinced there’s no place for it as a final coat, maybe with a varnish over it might be ok? I’m not going to use it that way but might be worth trying.

What did occur though is the thought – what about those who use it as a pouring medium? Is there any likelihood it will lift/soften in the same way? I’m guessing if work is varnished it won’t be a problem but its something to be aware of it you don’t/haven’t varnished.
Of course you’re not going to be pouring boiling water over your work as I did here for the experiment but we do hang art in kitchens and bathrooms, both of which can get quite steamy and moist air. Something to be aware of maybe. I can’t test that, I haven’t any successful ones I’ve used glue in, that’s why I gave up with using it as a medium, but perhaps someone that uses glue/PVA can confirm if they’re ok in rooms like this or not? .

Quick video pouring water over Liquitex Pouring Medium used as a final coat. 

 

 

I’d used Liquitex pouring meduim as a poured coating on this 6x6inch canvas, when i was trying to get a resin effect without the difficulty of resin working. Its good, but still not as good as resin, and to be honest works out very expensive that way for us here in the UK. I can only get it in litre bottles, thats largest size avaialable, and its around £29 for that. Now if we had those fab gallon tubs at $45 that I saw on sale in US this week…..BTW a gallon is about 4.5 litres – you can see why I weep when I see US prices. Anyway, I’d seen other use PVA in this way for a coating, but hadn’t got round to trying that. My carpenter brother and I were talking about painting and he said PVA will go tacky again in contact with moisture so its not a good idea to use it that way and it made me think about whether the liquitex would do that. So, first poured some cold water on and moved it arouind and then -0 well, I thought I’d go for it and pour on boiling water….and left it there for a couple of hours. the boiling water did seem to soften it a very little but no tackiness, and no fingermakrs so didn’t affect the actual coating, and now a few days later it looks the same as it always has. I will try this with PVA sometimes, right now though the studio is Freezing, its around 4c here in daytime and I’ll need to bring some stuff into the house to have a hope of the PVA drying enough to try this out. Might brave the cold later today 😉 then can try this next week once its dry.

Art challenge, swipe using black and three blues.

Challenge from one of the facebook groups, a swipe using no white, just black and three blues.

 

 

First one was fine but as usual i had paint leftover so I used it for another painting but…didn’t really have enough paint, didn’t like the results after swiping a couple of times so did a quick mix of folkart extreme glitter paint – I love that stuff. then swiped from centre and left it to dry.

The dry but unvarnished works look like this, I might resin the one with the glitter paint, you can’t really see but it looks fabulous ( for bling addicts like me anyway!)
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can you see the sparkle more with the flash? Its a beautiful mainly iridescent green.

I’ve had another play with resin too, getting better….I used the artresin this time, a 1:1 mix. Easier to get right than the 1:50 cheaper stuff…
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