I bought a sachet of silver glitter for house walls use, and have been playing with that. I just mix it with medium rather than add it to paint.
still on the no heat trials I decided I’d do one with no silicon too.
I did a swipe and usually I get better cells than this, I don’t know if its because there’s no silicon or that maybe my paints were a bit too thin. I don’t think it was the paint, usually if its too thin I get a lot of runoff and I didn’t with this. I have had good results before without silicon but then i used torch, so I think its just the combo of both on this occasion. I could probably do the same again and get totally different end result – that’s the beauty of fluid art for me, so difficult to predict.
One thing I notice from the final dry painting is that the metallic red has taken over and i can see other colours, lines and shapes below it but they just can’t seem to break through it, next time I’ll either leave it out of use just a small amount.
I’m not really happy with the painting as it is but I think it’ll make a nice background for a silhouette of something, bare trees maybe?
I’ve been looking for a resin type finish, tried Liquitex Pouring Medium, which looks good – not as good as resin but close. Its easier to use but works out expensive so I’ve tried PVA this time.
the LPM was fine with water and has dried with no marks.
It looks fine at first glance, if I’d been a bit more careful in application it would be better, but what I really wanted to test was how it reacts with water once dry.
Resin and the Liquitex PM were both fine, even with boiling water, but this…well. Fail.
Even with cold water it softened and marked and as for boiling water, it went tacky and lifted really quickly.
I’m convinced there’s no place for it as a final coat, maybe with a varnish over it might be ok? I’m not going to use it that way but might be worth trying.
What did occur though is the thought – what about those who use it as a pouring medium? Is there any likelihood it will lift/soften in the same way? I’m guessing if work is varnished it won’t be a problem but its something to be aware of it you don’t/haven’t varnished.
Of course you’re not going to be pouring boiling water over your work as I did here for the experiment but we do hang art in kitchens and bathrooms, both of which can get quite steamy and moist air. Something to be aware of maybe. I can’t test that, I haven’t any successful ones I’ve used glue in, that’s why I gave up with using it as a medium, but perhaps someone that uses glue/PVA can confirm if they’re ok in rooms like this or not? .
I’d used Liquitex pouring meduim as a poured coating on this 6x6inch canvas, when i was trying to get a resin effect without the difficulty of resin working. Its good, but still not as good as resin, and to be honest works out very expensive that way for us here in the UK. I can only get it in litre bottles, thats largest size avaialable, and its around £29 for that. Now if we had those fab gallon tubs at $45 that I saw on sale in US this week…..BTW a gallon is about 4.5 litres – you can see why I weep when I see US prices. Anyway, I’d seen other use PVA in this way for a coating, but hadn’t got round to trying that. My carpenter brother and I were talking about painting and he said PVA will go tacky again in contact with moisture so its not a good idea to use it that way and it made me think about whether the liquitex would do that. So, first poured some cold water on and moved it arouind and then -0 well, I thought I’d go for it and pour on boiling water….and left it there for a couple of hours. the boiling water did seem to soften it a very little but no tackiness, and no fingermakrs so didn’t affect the actual coating, and now a few days later it looks the same as it always has. I will try this with PVA sometimes, right now though the studio is Freezing, its around 4c here in daytime and I’ll need to bring some stuff into the house to have a hope of the PVA drying enough to try this out. Might brave the cold later today 😉 then can try this next week once its dry.
I mentioned these in a post a few days back here
I’ve got the video uploaded now if anyone wants to see them in action and they’ve dried pretty much as they looked when wet – aside from the usual glossy loss, but varnish will sort that. I’ve uploaded dry but pre varnish pics below to show.
As someone has pointed out its in portrait not landscape mode. My bad, sorry. I’ve been working on getting less glare and ensuring I’m out of the way as much as I can and completly missed that.
I’m really pleased with the board and have ordered more, this is A4 size, but I’d like to try larger to see if it warps at all then. there’s a very tiny bend, upwards oddly, in this one, barely noticeable unless it’s laid on a flat surface, and could be a one off, maybe i had too much paint or a little too thick perhaps? I’ll see when I’ve tied more but for now I’m happy. They’ll be easier to store too than canvas, taking up less room. That’s a problem when you’re a prolific artist *blush* and haven’t much space in studio…..
I hate giving up so had yet another try with housepaint. Aiming for a negative space and using an icing bag, i worked on the A4 MDF. Got too much colour – no surprise there, and when it dried, usual issue of the colours splitting and separating. One of the paints I’d used was a new sparkly clear one and that really shows up on the original and actually the separation kind of works but its not want I want to happen every time.
Last night i was cleaning some of silicon and varnishing a couple more and just had to have a quick play using one of the Golden colours, and its fabulous. A really rich, transparent magenta and where it bleeds into the white I love it. another negative space attempt, I’m getting there…It was over one i did last week that I didn’t like. that was a pour that failed, swiped, added more colours swiped again and still didn’t like it so when it was dry I reused it. Clearly these boards are pretty robust.
Well, I emailed Golden with blog links, saying I liked to experiment and was there any chance of samples and the answer was …Yes 🙂 and these arrived two days later!
As it happens they’re colours I love and use a lot, pthlalo blue, a rich clear yellow and magenta, I love those, and if i could only have 3 colours of paint they’d be my choice. I love to use gold too ( I’m sure no-one has noticed that!!) but the pyrrole red is a new to me colour. Looks to me like a slightly orange toned scarlet.
For those interested in density the gold has on the side the colours its made from so that could be worked out. Useful info.
I’ve used Golden texture mediums in the past, but not this one, might be fun to add into just one colour and see if it creates a pour with texture – or that might be a huge fail…who knows, that’s the fun for me. Seeing what happens when I ….
The leaflet isn’t clear in my photo but I’m sure their website has a copy, there’s loads of info there.
I’m going to try Liquitex too, but that has to be snail mail, can’t find an email on their site. Those two are my favourite for acrylic paints, used lots of both in my pre pouring days but tend to stick to the cheaper paints for pouring given I use so much. In the four/five months I’ve been doing this I’ve used around 8 litres floetrol, 1 l LPM, a few other mediums and varnishes I’ve tried ( and given up on some – PVA!) and bought perhaps 20 500ml of colours in additions to the substantial lot I had left from my previous painting days. I used to fund my painting from sales, never sold a huge amount but enough to buy more paints and canvas but I’m working at a deficit here. Still, its my main hobby, the reading is supported by ARC reviews and I don’t drink or smoke so for the pleasure I get I reckon its worth it. Of course sample paints like this mean Free Fun so I was so happy to get them.
Interestingly having bought a few “liquid/high flow” paints in small pots recently I find I actually use far less than when i’m using the big heavy body pots, the colours are very dense so maybe it doesn’t work out as expensive as I thought using high flow paints. Perhaps that should be a future experiment, weight of paint to get the same intensity of colour, though I’d need to factor in more floetrol or LPM to get same volume perhaps?
I can’t seem to give up on house paint yet despite my repeated vow not to try any more. I look at the other wonderful pics put up using it and have to have “just one more try” – well, I used floetrol and water in the next two aiming for negative space. I used an icing bag but as usual too much colour so that didn’t work, and the second one was a mess so got swiped and swiped, and last of the pink spread over middle and swipe again. I figure if i don’t like it anyway what’s to lose? I still don’t like it so that’s another repour!
The white looks ok when i use it, flows really well and initially looks good but as it dries it seems to go sort of grainy where it interacts with colour and leaves the colour looking wrong.
I’ll see if I can get better photos some time, its almost dry now, then show you what I mean.
I did a quick spider web swirl yesterday for Nathan, he really liked my one with leftover paint from the other day. He picked a rectangular board though and as I tried to swirl to cover more we lost the shape. Note to self: cover sides with white or colour next time to crate round/square centre. I did pull the paint through but we lost those lines too…Learning curve – there’s no such thing as a mistake, as getting it wrong, its all learning experience.
I love painting on board but its heavy, but i found these thin mdf sheets and also some resin coated/impregnated card ( not sure which)
The first one had a little dimethicone, second had that plus good squirt of silicon in between layers. I was using mostly fluid paints, 1:1 with floetrol, dash alcohol and then water. the white was heavy body acrylic, but same as above mix. the paint flowed well over surface, I didn’t gesso first, didn’t know if i need to. Will see I guess on drying if paint has been absorbed and if i need to gesso next time 😉 I used more paint on second, less tipping. I’m never great at getting right amounts and had some fab cells in first but as usual lost them on tipping top reach edges. Second i used more paint, then collected run off and poured over a small canvasses, in a swirl. and sprinkled some glitter…..
what was left was a bit pallid so added quick squirt blue and purple fluid acrylics straight out bottle to remaining paint on the silicon paper and dipped two more small canvasses. 3×3 inch i think…
Still a bit pale but maybe I’ll do something else with them. I just hate wasting paint but decided that as i’m losing cells, then adding paint and swiping and then still hating the result and scraping it that’s a waste too so I may as well use more paint anyway and tip less. Breaks my heart seeing paint run off though, especially when that looks better than whats on the canvas!!
The card is quite flimsy so I supported it on a board for painting. I’m really pleased with both and hope they keep fairly similar to the wet look shown here. Its freezing and raining again today. I didn’t think I’d get out yesterday as weather was awful, but there was a break mid afternoon so i did a quick video which will be up later in week, and if i can i’ll photo these today to show changes when drying.
I was feeling a bit sad at all the ones I’ve scraped off this week so did a quick one Tues night – a simple dirty pour using black instead of white. I did like it but…look whats happened!! I used an old canvas that was a PVA mix gone wrong, and there was PVA in the mix i used this time. I’ve had this happen before with PVA, the surface seems to go rubbery and peel. I’ve no idea what caused the lumps though. I’ve been reading a book about the Plague, the Black death and it just reminds me of that 😉
This is wet…
and here it is dry, dimples, lumps and cracks 😦 Shame as i really liked it. Ah well, I think this canvas is one for the bonfire now.