Golden Primaries Trial

Golden gave me some samples, among them hansa yellow, pyrrhole red and pthlalo blue. I decided to use these in a negative space painting – and really try to be strict with myself because I fail miserably often with this, using too much colour. Its on a 10 x 8 inch canvas and I’m using little shot cups to mix, total colour for my dirty pour including some white is about 1/3 of a cup – and worked well!
the video shows the process, I’ve premixed the colours, trying to keep it short…usual mix, paint, floetrol, water, silicon. Usually i use 1:1 paint and floetrol but the golden colours are so intense its more like 1 paint to 3 floetrol and could probably go even less. Golden do say their fluid can be diluted 1 to 15 for pouring…..These aren’t fluid but a kind of soft body paint – as in the paint is soft body, not for painting on soft bodies – each to their own though πŸ˜‰

 

just red, yellow and blue, but I have greens, browns, violets in the final piece.

I also wanted to try a fun challenge, a painting using grey, silver, gold, pink and either white or black. I chose black but TBH it was a disaster. the silver is several years old and as I discovered, gone pretty lumpy. I thought I’d got lumps out but as final work shows I haven’t….

But as always its a learning experience, I would either chose white next time, or a lighter grey, or perhaps less black and grey, have them as accent colours? I might do this again just to see if i can get it better.
I used the run off from both to pour over some rocks for Norfolk Rocks, fun thing where people hide rocks for kids to find…And then the tray with that run off got used for some dips. Some predictably were awful, greyish brown sludge by the end but two came out pretty well.Β  I bought a few fridge magnets so might cut the best bits and put into them.

colours used plus white

I forgot I did a couple with some new fluorescent paints, ordered a few but so far only got green and yellow – but new paints won’t wait πŸ˜‰ so used a couple of others and did one dirty pour flip cup, and one just a pour.

sadly lost that fab out-of-cup look.
dirty flip cup pour
same colours but poured from cup along canvas. I didn’t like the centre so poured quite a bit to get rid of it.
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Last couple of days…

The whole pic, too similar colours IMO

The cold season has struck…but in between sneezes I’ve done a couple of pics. First one here I actually did last week, and as its dried its cracked. I don’t actually mind those, they add a bit extra, but I’m still unsure of whether I like the whole painting. Its a bit Too busy, I used lots of colours, and I think maybe something more pale in parts would give more definition. The colours are just too similar IMO. Its 20 x 20 inches, so for now its sitting in shed while i decide whether to keep or repour.
Close up of cracks.

I’ve been redecorating my dining room, very pale apricot/peachy shade, mid orange curtains, and the old red/orangey pamment tiles – its a house that’s nearly 250 years old and I love these. I thought I’d try a pour painting to go in there in browns, but the first one was a mess, again I used colours that were too similar. I’d done a dirty pour, then swiped (twice) and still didn’t like it, so I mixed some dark violet, poured down the middle and swiped. Its better but whether it will stay….who knows. I put some bits of paper and a canvas to catch the pour-off and got a second painting.

straight after pouring. I think I got the paint a little too thick too.
After adding purple down the centre
let the run off fall onto an old canvas, and swiped with purple

Some swipes and some “pull” paintings – or perhaps “push ” might be more accurate…

I’d been pretty fed up of all the fails – downside to experiments is that lots of them Just Don’t Work – and while I expect that, its still frustrating. So I’ve had a few days of back to basics, just paint, floetrol, water and silicon. Done a few dirty pours then Monday I wanted to do a negative one with metallic paints and try to mimic peacock tail colours….sadly the green dominated, I used gold, blue, green, yellow and purple, but though I only had minimal green I think the blue and yellow combined too much and I ended with a green painting. I like it – but its not really what I wanted.
I used a bamboo skewer to pull out some of the edges, and to try to shape some circles in the green and dipped in to add a little more colour. the photo is while its still wet – they’re taking ages to dry lately, outside in my shed.


I had a bit of dark blue and purple left, so I decided to try something on the resin coated paper. I tipped it over a piece of card, dropped in a bit of non diluted gold and cerulean blue, spread round with palette knife and pressed another piece of card over the top, pressing down really firmly. then peeled back card. It reminds me of encaustic painting when I use an iron, where as I lift the iron the wax collects in shapes. I carried on with a couple more bits of card, then decided to try it on two bits of board. I scraped out all the purple and gold I had, squeezed on more of both straight from tube, plus cerulean blue and repeated above process. I did it a few times before I was happy. Not sure what I’ll do with these but it was fun πŸ˜‰ I couldn’t resits a bit of glitter over them too….

The resin coated card

Still on the metallic theme i tried a swipe yesterday, its on canvas 20 in by 8 in. I poured lines of colour, dark purple divided into two and metallic medium added to one, same with the cerulean blue, a dark blue, magenta, pale pink, and gold, with some oyster pearl added to the pink and magenta. then white at both ends. And…. swipe – I loved the way it was straight away but the pic is about an hour later and somehow the cells lose some of their definition. I think maybe I have too much paint – I’ll try with less and see if that helps.
I’m hoping the metallic shows up more once its dry, and noticed as it was drying that some of the darker colours and the gold were slowly popping through. I like this one even though it wasn’t as crisp as I’d like.
Today the plan is to clean silicon of some dry ones ready for varnishing. and tidy my work space and add fresh paper….no painting, but somehow I think one might just sneak in πŸ˜‰
I’ve put a recent card one in a frame and its hanging in my kitchen.

 

#fail on Tuesdays painting, and trying two new surfaces for painting

I love painting on board but its heavy, but i found these thin mdf sheets and also some resin coated/impregnated card ( not sure which)Β this is on the board, dimethicon in colours, just 1 drop in each
this one is on the resin card, dimethicon as before plus spray of silicon in cupThe first one had a little dimethicone, second had that plus good squirt of silicon in between layers. I was using mostly fluid paints, 1:1 with floetrol, dash alcohol and then water. the white was heavy body acrylic, but same as above mix. the paint flowed well over surface, I didn’t gesso first, didn’t know if i need to. Will see I guess on drying if paint has been absorbed and if i need to gesso next time πŸ˜‰ I used more paint on second, less tipping. I’m never great at getting right amounts and had some fab cells in first but as usual lost them on tipping top reach edges. Second i used more paint, then collected run off and poured over a small canvasses, in a swirl. and sprinkled some glitter…..


what was left was a bit pallid so added quick squirt blue and purple fluid acrylics straight out bottle to remaining paint on the silicon paper and dipped two more small canvasses. 3×3 inch i think…


Still a bit pale but maybe I’ll do something else with them. I just hate wasting paint but decided that as i’m losing cells, then adding paint and swiping and then still hating the result and scraping it that’s a waste too so I may as well use more paint anyway and tip less. Breaks my heart seeing paint run off though, especially when that looks better than whats on the canvas!!

The card is quite flimsy so I supported it on a board for painting. I’m really pleased with both and hope they keep fairly similar to the wet look shown here. Its freezing and raining again today. I didn’t think I’d get out yesterday as weather was awful, but there was a break mid afternoon so i did a quick video which will be up later in week, and if i can i’ll photo these today to show changes when drying.
I was feeling a bit sad at all the ones I’ve scraped off this week so did a quick one Tues night – a simple dirty pour using black instead of white. I did like it but…look whats happened!! I used an old canvas that was a PVA mix gone wrong, and there was PVA in the mix i used this time. I’ve had this happen before with PVA, the surface seems to go rubbery and peel. I’ve no idea what caused the lumps though. I’ve been reading a book about the Plague, the Black death and it just reminds me of that πŸ˜‰
This is wet…

and here it is dry, dimples, lumps and cracks 😦 Shame as i really liked it. Ah well, I think this canvas is one for the bonfire now. 

Advice from Golden, and an update on experiments

I’ve always loved Golden and Liquitex paints and used them in my painting but with pouring acrylics I go through so much paint its just not feasible to use them solely 😦 Yesterday I thought I’d write/email them to see if they’ve any samples I can use for testing and show in the blog and got a lovely reply back saying yes! I forgot to say I was in UK though but hopefully I’ll still get them. They also pointed out this link

http://www.justpaint.org/understanding-the-techniques-of-pouring-acrylics/

which is packed with advice on Golden high flow paints and pouring. I have seen it before ( we pouring artists seem to devour up advice on the net!!) but it bears repeating.
After reading this I’m thinking I might try using alchohol to thin my heavy body acrylics instead of water, maybe before i add floetrol or similar…
Lately I’ve been doing so many experiments and they’ve all gone bad – well, almost all, and that’s why there’s not been much here. I’ve a few waiting to be photo’d and I’ll add them soon but most just got scraped off. Yesterday I just went back to basics, paint, floetrol, water and dimethicon. I forgot the alchohol….and i did get what i hope will dry into a good painting. Sometimes they look great wet but the paint keep changing and they dry very different.
This one was a negative space attempt, that went wrong, got swiped, swiped again, scraped up and tilted, and ended with first pic. Added lots more red and purple and swiped again and got pic two. I’m still uncertain whether to keep or paint over. It might grow in me πŸ˜‰ I don’t hate it but its not got anything special either. On these first three i used a mix of elmers glue-all and floetrol. I’m still not convinced of glue though and as it costs for elmers in uk, and the pva here I’ve tried don’t work for me i’m avoiding them once I’ve used them up. Others get great works, not me though.

another neg space that went wrong so i tilted it but still don’t like it. I knew if i swiped the colours would just merge unless i added more and i’d run out of time – so a repour on this one.

these two I was trying out a cheap white craft paint, I use loads of white ans as i just can’t seem to make housepaint work for me i thought i’d give this a try. It isn’t one I’ll use again unless i want a grainy effect. I quite like the way it splits and goes grainy on the first but the second, started as neg space and then i tilted and …well, i think i’d got paint too thin too this time so one repour, possibly two πŸ™‚

I’ve a 20 x 20 ice/fire commission so practised on a couple of small ones first. I did a video of these, dif PM for each, floetrol and liquitex i think though I can’t quite remember. I’ll upload the video in a few days if i haven’t already. Had some internet issues…it happens. The two small ones were – well, but’s i like but overall they may be repours, i’m not sure yet. Its funny how often paintings I don’t like, not just pouring ones but my others, are the ones that sell, and those i love languish lonely in the studio or house.

So when i did the big ones, I changed it up. I used a mix of floetrol and LPM for these. The blue is a mica mix and very metallic looking. plus though you can’t see it there’s a fine silver glitter dusting. Love the first one, luckily so does the client, second was a swipe gone wrong, a repour one πŸ˜‰ I seem to have loads of those lately.

wasn’t going to paint yesterday but had some leftover colour from Tuesday, the blue and pink grainy ones which i’d dropped into one cup and left, so mixed up a quick bit of orange, metallic green, black and purple to go with the two blues, yellow, magenta and tiny bit of white Β  in the cup, and did a dirty pour on a canvas I’d painted black over one I didn’t like. I’m pleased with how it came out, back to my basics with this, floetrol and paint 50/50, water to thin and some dimethicon. I’ve tried loads of different stuff now, but somehow floetrol or LPM works best for me and as I paint a lot ( and waste a lot) and floetrol is cheaper that’s what i use. If someone wants to pay extra for archival materials i keep the LPM for that, hopefully floetrol will last many years but there’s no data to support it while LPM is designed to do just that, and carries a price tag to match.
And is pouring – with rain not paint! today so don’t think I’ll be able to get out. cold too so fire is lit and maybe its a reading day. I do need to hoover, and TBH the oven needs cleaning, I keep putting it off but maybe its the day to do it as i can’t paint. we’ll see πŸ˜‰

Couple of new videos, fire inspired experiments with elmers v liquitex pouring medium.

When they’re dry I’ll update and compare the difference. Nathan used elmers in aΒ Β 2 parts pva 1 part water ratio, then add paint and thin if necessary. He’s seen a video. From my pva experiments i felt it would crack but he was sure it wouldn’t. Its still drying but there are some cracks so for me, with my paints elmers used solely or in this ratio won’t work.

cracks in drying paint bottom right

I’ve added liquitex glazing medium and a dash of floetrol in my experiments. Not sure what the glazing medium will do but it arrived Thursday so seemed a good time to try it. My paints are mostly heavy body, so I thought maybe it would be better to try this instead of so much water to thin. I do want to try maybe a floetrol and no water just glazing medium to see how that works, though I think that would work out expensive at the rate I play with paints…maybe a 50:50 mix might work.

NB Forgot to mention – there’s an error in next video, I said no silicon used but I sprayed insideΒ cup before adding paints for dirty pour, and I added quick spray in yellow and red of the elmers glue cups… sorry. Very little overall though for all those cells πŸ˜‰Β 

 

I tried liquitex pouring medium as a final cover, saw another artist recommending it but so far, a week later, the surface is still easy to scratch though it looks very resin like. I pushed my fingernail in and it left a dent, and just running nails over the surface left scratches. I’d worry about damage, and of course LPM isn’t cheap either here in UK.
I tried PVA but that didn’t have the smooth surface though did dry clear, and still had that easy scratch issue. I love the look of resin, just can’t get it right…..and its so expensive to practice with.

this is two coats LPM

working and reworking – AKA messing up and recovery!

I had an idea yesterday so tried it on a couple of 3 x 3 canvasses, liked parts, but where the cad red, cerulean blue and pthlalo green had mixed I had a grim murky kind of pink that was awful. Happens when trying new combo’s so a bit of reworking was in order. I figure if I don’t like a painting as it is there’s nothing to lose by trying to change it. Usually my first try is a swipe with maybe an additional colours(s) added but I wanted to make sure i covered the murkiness so poured colours on neat and tilted. I had yet another kind of silicon to try, a 3 in 1 spray.

You can see bits of the Murk in the next two, couldn’t cover it all.

Must have had more pthlalo green in this one.

I did a 4×4 in one too where i used more yellow and got some fab greens. Still got The Murk in top right corner.

Of course the real test is can I reproduce this effect or is it just a lucky accident!! I’d just finished when Nathan and Chris arrived, and he wanted to video himself painting for his youtube channel – I’ll link it when he has uploaded it. He’d been watching someone paint with 2 parts pva 1 part water, then add paint and thin if necessary. Used silicon too. I’ve just bought some elmers glue-all, finding the two UK pvas I tried simply cracked. I tried a few days ago with an elmers/floetrol mix but this is first pure elmers and the thinning it with water then adding paint is backward to what i usually do so its going to be fun seeing how it dries. I suspect elmers here in uk won’t work out any cheaper than floetrol 😦 I haven’t done a calc yet but its good to have another tool in the arsenal for painting.

Nathan’s latest painting. 10 x 8ins. Kids are going through my canvasses at a rate of knots!!

I “won” some fluid acrylics on ebay….Folk Art so will be playing with them next week t see how they compare to my usual heavy body acrylics. .