I’ve not written much recently – not painted a lot either. Two reasons, first the weather turning colder means paintings take longer to dry – up to a week as compared to 24-48 days in summer, which meant I ran out of room. The shed is 10 x 12 ft, there’s only so much moving round I can do, with paintings being varnished too…..When I move I want a nice big studio 😉 Second reason is I’ve been decorating indoors, well, helping anyway, hoping to make the house attractive to buyers. You know how it is, you get used to that shabby, tired look, don’t even notice it anymore, then think – will this put people off? So…..picture painting has aken a back seat.
Still, I’ve a few updates, dry pics of the hammer smash flowers and the ones that went with it, and a few new ones from last week and weekend. I really need to get into shed to paint today, feel quite twitchy not having done any for a few days.
using up some leftover fluorescent paints and metallics.
I have a long thin frame so took out the print, and used it to paint on, supported by the MDf backing. Dreid up AWFUL though, bland and boring. I’d done browns and gold to match new paint in dining room but this had to be a repour. Its always worth seeing fails too though.
After my abysmal fail the other day I’m trying again. Black background this time with a hammer instead of a mallet. I was really pleased at how it turned out and then….put to one side and forgot to check level. Looked over half hour later to find it had all tilted and run. ah well, tilted a bit more and ended up with this.
Third time’s the charm eh? Finally got a decent hammer smash. Used black background and outlined to create flowers shapes.
I have enjoyed this way of moving paint and can see that it can produce some interesting shapes once you get the hang of the technique. I know in future that I need to use minimal colour as the paint splashes a long way and its one of those “less is more” scenarios….
I did a second that I turned into flowers by tweaking the paint and pouring an outline of neat paint. Then used leftovers to do a final board. I hate waste so usually do something like that, may come out well, if not it gets repoured 😉
Golden gave me some samples, among them hansa yellow, pyrrhole red and pthlalo blue. I decided to use these in a negative space painting – and really try to be strict with myself because I fail miserably often with this, using too much colour. Its on a 10 x 8 inch canvas and I’m using little shot cups to mix, total colour for my dirty pour including some white is about 1/3 of a cup – and worked well!
the video shows the process, I’ve premixed the colours, trying to keep it short…usual mix, paint, floetrol, water, silicon. Usually i use 1:1 paint and floetrol but the golden colours are so intense its more like 1 paint to 3 floetrol and could probably go even less. Golden do say their fluid can be diluted 1 to 15 for pouring…..These aren’t fluid but a kind of soft body paint – as in the paint is soft body, not for painting on soft bodies – each to their own though 😉
I also wanted to try a fun challenge, a painting using grey, silver, gold, pink and either white or black. I chose black but TBH it was a disaster. the silver is several years old and as I discovered, gone pretty lumpy. I thought I’d got lumps out but as final work shows I haven’t….
But as always its a learning experience, I would either chose white next time, or a lighter grey, or perhaps less black and grey, have them as accent colours? I might do this again just to see if i can get it better.
I used the run off from both to pour over some rocks for Norfolk Rocks, fun thing where people hide rocks for kids to find…And then the tray with that run off got used for some dips. Some predictably were awful, greyish brown sludge by the end but two came out pretty well. I bought a few fridge magnets so might cut the best bits and put into them.
I forgot I did a couple with some new fluorescent paints, ordered a few but so far only got green and yellow – but new paints won’t wait 😉 so used a couple of others and did one dirty pour flip cup, and one just a pour.
I’d been pretty fed up of all the fails – downside to experiments is that lots of them Just Don’t Work – and while I expect that, its still frustrating. So I’ve had a few days of back to basics, just paint, floetrol, water and silicon. Done a few dirty pours then Monday I wanted to do a negative one with metallic paints and try to mimic peacock tail colours….sadly the green dominated, I used gold, blue, green, yellow and purple, but though I only had minimal green I think the blue and yellow combined too much and I ended with a green painting. I like it – but its not really what I wanted.
I used a bamboo skewer to pull out some of the edges, and to try to shape some circles in the green and dipped in to add a little more colour. the photo is while its still wet – they’re taking ages to dry lately, outside in my shed.
I had a bit of dark blue and purple left, so I decided to try something on the resin coated paper. I tipped it over a piece of card, dropped in a bit of non diluted gold and cerulean blue, spread round with palette knife and pressed another piece of card over the top, pressing down really firmly. then peeled back card. It reminds me of encaustic painting when I use an iron, where as I lift the iron the wax collects in shapes. I carried on with a couple more bits of card, then decided to try it on two bits of board. I scraped out all the purple and gold I had, squeezed on more of both straight from tube, plus cerulean blue and repeated above process. I did it a few times before I was happy. Not sure what I’ll do with these but it was fun 😉 I couldn’t resits a bit of glitter over them too….
Still on the metallic theme i tried a swipe yesterday, its on canvas 20 in by 8 in. I poured lines of colour, dark purple divided into two and metallic medium added to one, same with the cerulean blue, a dark blue, magenta, pale pink, and gold, with some oyster pearl added to the pink and magenta. then white at both ends. And…. swipe – I loved the way it was straight away but the pic is about an hour later and somehow the cells lose some of their definition. I think maybe I have too much paint – I’ll try with less and see if that helps.
I’m hoping the metallic shows up more once its dry, and noticed as it was drying that some of the darker colours and the gold were slowly popping through. I like this one even though it wasn’t as crisp as I’d like.
Today the plan is to clean silicon of some dry ones ready for varnishing. and tidy my work space and add fresh paper….no painting, but somehow I think one might just sneak in 😉
I’ve put a recent card one in a frame and its hanging in my kitchen.
I’m really happy with the fluid paints, the gold and magenta, and the phtlalo blue, incredibly rich colours and i didn’t need to use much paint which of course makes them a lot more economical.
I knew I loved the golden range, have used heavy body ones in the past but thought the way I use paint that these little fluid bottles would be too expensive. they are costly, but given i only needed a little to get the intensity of colour I wanted they’re not as costly as expected. I could probably have used less than I did too.
I find often when acrylics dry not only do they lose that lovely glossy sheen but the colours change, occasionally seem darker but more often lighter, but these were very close to the original colour. ( The gloss can be put back via a varnish when dry BTW) I did add a little of the tube of medium to the black on a black negative painting and it dried with a lovely soft sheen which looks good.
Its not all a tube black but some of that mixed with some very dark blue/red/purple run off from another painting. i got quantities wrong and hate waste so decided I’d mix that with some ready made black, a squeeze of the Golden gel medium and use for black negative space. One worked, one wasn’t so good but the black on both came out well. I haven’t varnished it yet, it will be interesting to see if just one coat brings up the shine, usually i do at least two, probably three before I’m happy. I have done five on one work…Polycrylic minwax is my preferred varnish.
I’ve finally finished a 20 x 20 inch commission, and I’m really pleased. this has the minwax varnish, four coats and is lovely and glossy.
I’ve got the video uploaded now if anyone wants to see them in action and they’ve dried pretty much as they looked when wet – aside from the usual glossy loss, but varnish will sort that. I’ve uploaded dry but pre varnish pics below to show.
As someone has pointed out its in portrait not landscape mode. My bad, sorry. I’ve been working on getting less glare and ensuring I’m out of the way as much as I can and completly missed that.
I’m really pleased with the board and have ordered more, this is A4 size, but I’d like to try larger to see if it warps at all then. there’s a very tiny bend, upwards oddly, in this one, barely noticeable unless it’s laid on a flat surface, and could be a one off, maybe i had too much paint or a little too thick perhaps? I’ll see when I’ve tied more but for now I’m happy. They’ll be easier to store too than canvas, taking up less room. That’s a problem when you’re a prolific artist *blush* and haven’t much space in studio…..
I hate giving up so had yet another try with housepaint. Aiming for a negative space and using an icing bag, i worked on the A4 MDF. Got too much colour – no surprise there, and when it dried, usual issue of the colours splitting and separating. One of the paints I’d used was a new sparkly clear one and that really shows up on the original and actually the separation kind of works but its not want I want to happen every time.
Last night i was cleaning some of silicon and varnishing a couple more and just had to have a quick play using one of the Golden colours, and its fabulous. A really rich, transparent magenta and where it bleeds into the white I love it. another negative space attempt, I’m getting there…It was over one i did last week that I didn’t like. that was a pour that failed, swiped, added more colours swiped again and still didn’t like it so when it was dry I reused it. Clearly these boards are pretty robust.
Well, I emailed Golden with blog links, saying I liked to experiment and was there any chance of samples and the answer was …Yes 🙂 and these arrived two days later!
As it happens they’re colours I love and use a lot, pthlalo blue, a rich clear yellow and magenta, I love those, and if i could only have 3 colours of paint they’d be my choice. I love to use gold too ( I’m sure no-one has noticed that!!) but the pyrrole red is a new to me colour. Looks to me like a slightly orange toned scarlet.
For those interested in density the gold has on the side the colours its made from so that could be worked out. Useful info.
I’ve used Golden texture mediums in the past, but not this one, might be fun to add into just one colour and see if it creates a pour with texture – or that might be a huge fail…who knows, that’s the fun for me. Seeing what happens when I ….
The leaflet isn’t clear in my photo but I’m sure their website has a copy, there’s loads of info there.
I’m going to try Liquitex too, but that has to be snail mail, can’t find an email on their site. Those two are my favourite for acrylic paints, used lots of both in my pre pouring days but tend to stick to the cheaper paints for pouring given I use so much. In the four/five months I’ve been doing this I’ve used around 8 litres floetrol, 1 l LPM, a few other mediums and varnishes I’ve tried ( and given up on some – PVA!) and bought perhaps 20 500ml of colours in additions to the substantial lot I had left from my previous painting days. I used to fund my painting from sales, never sold a huge amount but enough to buy more paints and canvas but I’m working at a deficit here. Still, its my main hobby, the reading is supported by ARC reviews and I don’t drink or smoke so for the pleasure I get I reckon its worth it. Of course sample paints like this mean Free Fun so I was so happy to get them.
Interestingly having bought a few “liquid/high flow” paints in small pots recently I find I actually use far less than when i’m using the big heavy body pots, the colours are very dense so maybe it doesn’t work out as expensive as I thought using high flow paints. Perhaps that should be a future experiment, weight of paint to get the same intensity of colour, though I’d need to factor in more floetrol or LPM to get same volume perhaps?
I can’t seem to give up on house paint yet despite my repeated vow not to try any more. I look at the other wonderful pics put up using it and have to have “just one more try” – well, I used floetrol and water in the next two aiming for negative space. I used an icing bag but as usual too much colour so that didn’t work, and the second one was a mess so got swiped and swiped, and last of the pink spread over middle and swipe again. I figure if i don’t like it anyway what’s to lose? I still don’t like it so that’s another repour!
The white looks ok when i use it, flows really well and initially looks good but as it dries it seems to go sort of grainy where it interacts with colour and leaves the colour looking wrong.
I’ll see if I can get better photos some time, its almost dry now, then show you what I mean.
I did a quick spider web swirl yesterday for Nathan, he really liked my one with leftover paint from the other day. He picked a rectangular board though and as I tried to swirl to cover more we lost the shape. Note to self: cover sides with white or colour next time to crate round/square centre. I did pull the paint through but we lost those lines too…Learning curve – there’s no such thing as a mistake, as getting it wrong, its all learning experience.